One of Sivan Cohen Elias’ (Jerusalem, 1976) major interests must be sound puppetry. In Vortex Temporum episode number 39, this Israeli composer lets us listen to a conversation she has with her husband and collaborator, Rey Hulme, about this central matter of her own music.
📷 Ana Sladetić
credits:
How to Make a Monster [2021], for a performer with objects and live electronics | performance by Winnie Huang // Escape Room [2024], for trio percussion | ensemble Line Upon Line Percussion // Whistle Town [2022], for 8 musicians, live electronics, and video | ensemble soundinitiative // .onion – short opera, for tenor, soprano, electric guitar, percussion, cello, string orchestra, and fixed media.
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