
In episode 38 of Vortex Temporum podcast, Sara Stevanović (Belgrade, 1998) reflects on cancel culture based on Harry Lehmann’s ‘Ideologiemaschinen: Wie Cancel Culture funktioniert’.
📷 Max Niederer
credits:
search: pink fingers fragile archives [2024]. live performance by Ensemble Recherche at the Wittener Tage für neue Kammermusik festival 2024.
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